Viewing posts in the category of Music

This was the biggest question I had when I started playing, and I still ask this question.  What in the world to I play?!  I mean, I could play pads on everything, but that’d be boring!  And I can’t play cool lead synth lines on everything.  Somehow that’s not going to work for the response song.

The answer is play whatever fits best.

I can hear you now, “Well thanks for nothing!”, but that’s the answer.  Think about it.  For every song you play, you need to find something that fits.  For We Unite by Elevation Worship, the lead synth sounds good, because it suits the style of the song.  Playing The Stand by Hillsong you’re probably better off playing a pad.  For other songs, a straight up piano sounds great.

Now, as always, you can change it up for effect.  Elevation Church did this with their Remix stuff.  But again, the parts fit with the style of the song they wanted to play.

Ok, so now I’ve got a sound, but what do I play with that part?  Wait for it…  Play what fits.  For a song busy with guitars and drums, you really shouldn’t be soloing the whole way.  You could add a bit of dirt with a biting synth pad and let the guitars go to town.  If it’s a slower song where the drums are down and the guitars are playing swells, break out a pad or pay some piano lines.

The moral is that you don’t want to step on any of the other players parts.  If someone has a soloistic part, don’t play a solo over top of them.  Sometimes it’s great just to hang out on the chords and make the band sound better.  Add your cool riffs between lyrical lines.  Add an instrumental break if you need some musical relief!  (With your band leader’s permission first!)  If you want some inspiration, listen to other bands.  Listen to some good jazz music.  Listen to good pop music even.  The more you listen, the more ideas you’ll have, and the more you’ll hear what other good keyboardists are doing.

So what do you play in your band?  Lots of pads?  Synths?  Melodic?  Rhythmic?

[ Photo by orange grove media ]

Ok, here’s the deal.  Lugging around keyboards stinks.  It’s almost as bad as the drums.  Stands for everything, and good keyboards with good weighted keys are heavy.  Solution?

Virtual instruments.

Basically anything that can replicate a keyboarded instrument inside a computer.  Anything from modeling analogue synthesizers to samplers with sound from vintage organs and electric pianos and string instruments.  You get the idea.

For my setup, I love using Reason.  It’s basically the synth rack of your dreams in your computer.  Multiple MIDI controllers to play multiple synths, control different instruments by MIDI channel out, ReWire into your favorite DAW, and it’s all fairly straightforward to configure (Google always helps).

I’ve got a master Reason file that holds all of my basic setup.  I have 4 audio channels out (2 stereo pairs); one for mostly synth/pad/lead items, and one for loops/beats/FX items.  These usually are run through Live and into the house.  Most weeks, I use maybe a patch or two.  The most I’ve used in a set I believe was four, which includes a loop.

The synths are set up simply enough, with basic pads up top, a synth lead, and a rhythmic lead (or two).  These are the bread and butter for my controllers.  I usually sit on a nice airy pad with a filter mapped to the mod wheel.  I can go from being under the band to being on top depending on the song.  I’ve got a nice Moog-type square lead that I use a lot that was set up for We Unite by Elevation Worship.

For the loops, I have two ReDrums set up with patterns all ready to go, which are triggered by the number keys on the laptop keyboard.  I also have an FX spot that I usually don’t use, but if I need some atmospheric goodies it’s right there.

The only think lacking in my setup is a good vintage electric piano instrument.  Native Instruments look like they have some nice samplers for that, so that’s on my list.

Any thoughts on this?  What do you (or your church) use, if anything?

I’ve been looking around the internet for good references and/or blogs on keyboards in a modern worship music setting.  I haven’t found much as of yet, so I wanted to share whatever knowledge I have on this blog.  This will be ongoing as I learn and experiment.  So I hope some of you find this helpful and interesting.

To start, I wanted to go over my current set-up at my church.

I have a Yamaha S90, a Korg CX-3, and an M-Audio Oxygen 61 for my boards.  I sometimes use a Yamaha S03 as a MIDI controller as well.  I’m running the MIDI controllers though Reason and Live on a MacBook Pro.  I usually have the S90 and the CX-3 on a two-tiered stand (S90 on bottom).  I’ll have the Oxygen on it’s own single stand near the computer, and the S03 is similar when I use it.

The S90 has a great piano sound and feel.  It’s hammer weighted, so it’s great for that piano feel.  I usually use it just for piano and a particular synth pad sound that sits well with a variety of songs.  I’ve also found some other cool synth/pad sounds I use occasionally.

The CX-3 is a great Hammond B3 emulator.  I’m sure it won’t pass as the real thing, as it seems nothing will, but it sounds great in the house and the manual drawbars are wonderful for changing the sound on the fly.  I only use one preset, really, even though I should use more.  But I just change drawbar settings and turn percussion on and off for most of my patches anyway.

The Oxygen I use for transport control of Live to fire clicks and the occasional loop.  All of the sounds are from a custom Reason rack that I have set up.  There are a few pads, a few leads, and some programmed beats for whatever the service might need.

The setup works well for me.  The only addition I might make would be for a Nord Electro in place of the CX-3, because I’d get a good B3 sound plus good electric pianos to boot.  I’m not a fan of the S90’s Rhodes or other piano sounds.  But I was also thinking of just getting a virtual instrument for those sounds too.

This is just an overview, and I’ll probably get into specifics as I go.  Please let me know if there is anything you’d like to hear about.  I’d love some conversation on this!

Music Like Poetry

April 22, 2010 | Art | Music

I wish more music was like poetry.

I’ve been trying to expand my musical library recently.  One thing I’ve found is that the best music (for me anyway) is the music that feels like poetry.  Music that isn’t so cookie-cutter or systematic.  Music that is soulful, authentic, and emotional.  Music that forces me to think a bit about what I am hearing.

Call me a Romantic, but that is what moves me.

And isn’t that what we want music to be?  Something that moves us to another place, and hopefully moves us toward a better place.

That is the goal I strive for when I make music.

What do you want your music to be?

[ Image by MaltaGirl ]

pathway

Sometimes the way forward is just that; forward.  Sometimes the next thing you need to do is the thing that you should have been doing all along.  Most times, we know where the next step is, we just don’t want to take it.  We feel like we can’t, or aren’t allowed, or shouldn’t.  We just need to start walking in that direction.

I play music.  It’s something I’ve loved since I was in grade school.  I’ve played in bands at church before, but recently I haven’t been playing.

Here’s the thing: I have been given a talent from God to play music.  It’s something that I am passionate about, and I love playing music.  But lately I haven’t been using my gifts.

Now, for a time, taking a break is fine.  But to not use the gifts God has given you is bad.  You lose something about yourself when you don’t use your gifts.

This past month, I started using my gifts again by getting involved in a new band at my church.  And it feels great!  I don’t know why I waited so long to get back into playing.

So here’s the point.  You all have talents and gifts from God that you can use.  Are you using them?  You can’t keep your gifts and talents to yourself and stay whole.  You have gifts and talents for a reason.

Move towards using them.  Move forward with your task.  Take the next step.

[ Image by carnavalet ]

Was on ChurchCrunch and I saw this post on the Catalyst Music Project.  I got all excited about it.

[ Catalyst Music Project | Aaron Keyes from Catalyst on Vimeo ].

So here’s the deal.  The music industry is changing.  No, it already has changed.  Not everyone knows it yet.

The Web is empowering the artists and the listeners.  People who would have never made it into the mainstream 20 years ago can make a living.  And people can find just that right band even if their taste is a little off the beaten path.

Pandora gave me a band I would have never found otherwise.  (It’s Tokyo Rose, if you’re wondering)  I bought a few songs from iTunes once I found them.  It was awesome!

We need to take heed, my friends!  The change is upon us!  Okay, all poetic verbage aside, there are awesome ideas just waiting to be used.

What will the future be?  How has the web changed music for you?

music_piano_2

Ok.  You’re going about your usual day.  You see something related to your work, and all of a sudden, you’re analyzing the heck out of something and you jump into work mode.  Ahh!

This happens to me with music all of the time!  I’m listening to my iPod, just enjoying the tune, when I hear a certain chord progression and my music theory brain kicks in and I’m analyzing the song.  Which chords should come next, how could I change that and use it, what chord is that?  By the time I realize it, the song is over and I missed it!

I’ve had to learn how to turn my “Music Theory” switch on and off.  Otherwise my music experience is shot.

I had to almost practice this daily when I took music theory classes in college.  The switch had to be flipped every time I left the classroom.  But eventually, I was able to use the switch to my advantage.  Now I can listen to a song in a few different ways depending on what I want to do.  It broadens my listening experience.

I think this “switching” happens no matter what you are involved in.  Engineers start thinking about the structure of a building and miss the beauty.  Writers start thinking about what words fit better and miss the poetry.

So, what “switches” do you have to turn off to enjoy things?

[Image from Dusty Wagner]

In my previous post, I said that music is essentially a vehicle of meaning.  Music communicates emotions, but can only communicate so many before something else is added.

Adding Layers

Adding words to a song makes it more specific.  The sounds of music are like broad strokes on the canvas.  Lyrics are the details.  They bring the fuzziness of emotions into focus, or increase the effect.

When you add somber lyrics to a somber tune, it intensifies the effect.  When you add worshipful words to a glorious melody, it makes you want to worship.  You can also add irony and tension.  If you mix the two (happy tune, sad lyrics) you can add shades of meaning, ranging from comical to satire.

This is why music says it better.  If you say “I love you” to your spouse, that says a lot.  If you sing it to your spouse, that adds the extra emotions.  (Valentine’s Day hint…)

Creating a Response

We write music to convey something.  The human who creates the music shapes the meaning.  And this applies, I think, to individual performances as well.  One band can mean one thing with a song, but another band plays it and it conveys something else.

We also have our own response.  Art is about expressing Truth beautifully.  As such, the same music can have different meanings to different people.  Rock music is a good example.  To some people, it means to express freely.  To others, it is connected with rebellion.  Always remember the context!  And when you use context well, it empowers the song you write.

Remember, oh you writers of music, the power you wield.

Posted via web from On Life, Stories, and Music

Music as Language

Music is powerful to us humans.  We consume – no, devour – music for everything.  We play it for celebrations, we use it for sorrow, we use it to vent, we play it to romance.

Music at its core is a language.

Compare it to a spoken/written language.  Music has letters (notes), words (musical phrases), sentences (verses), and together they make stories (songs).  A song tells you something.  That something is its meaning.

Vehicles of Meaning

I read the phrase “language is a vehicle of meaning” and I immediately thought of music.  Music does the same.

For example, if I write a bouncy, light, skippy tune, you might think of something happy.  If I write, a dark, somber, plodding tune, you may feel something sad.  This effect is extremely powerful!  I can make you feel something with just timed sound.

However, I think there are some limits.  I can’t really make you think something specific, like say the day Dad took you to the ball game, or the feeling you felt when your best friend moved.

Music superimposes itself on us.  It uses our past.  If some soul had never, ever heard any music, they probably could guess the bouncy tune was happy, but they would not know that it was written to resemble the way a family dog bounced on everything.

This idea is important though.  There are certain emotions you can convey well, such as happiness, sorrow, longing, anger, or reverence.  Outside of these emotions, you would need some other experience or opinion.  If you heard a certain tune every time your parents were angry, then you would associate that tune with those events, even if the song does not deal with that.

Always search for the purpose of a song.  Especially the intent of the writer and performer.  The whole meaning of a song includes the human intent and the human interpretation.

Posted via web from On Life, Stories, and Music

The purpose of all art in the Church is to glorify God.

When the Church creates art, it is expressing what the soul wants to say to God.  It is our expression of what God has revealed to us to be Truth (as in absolute Truth).  This can be in a worship song of adoration, a novel based on a biblical story, or a painting of a sunset.

So how is it that we glorify God with our art?

From my standpoint, I see three big ways art from the Church glorifies God.

Building Up

When art builds up the community of God – His Church – then the art brings glory to God.  Some examples include worship music and books dealing with our relationship with God.  When a local church sings praises to God, the people get closer to God.  When we read a book that shows us how to pray, then we are encouraged and given knowledge.  These things build the community.  As the community is strengthened in God, He is given the honor for it.

Reaching Out

When art reaches people outside of the Church – as in leading people to Christ – then the art brings glory to God as well.  When the Church grows, the fame of God increases.  He receives the credit.  Examples here include movies or plays that intentionally reach out to people.  If someone goes to a church Christmas production and realize that a relationship with God is what they need, then God receives glory.

Personal Expression

Art leads the soul to some Truth, and there God is given glory too.  This category is quite broad, and it also gets into some gray areas.  What I mean here are the works of art that point to God.  Much of Christian music can fall into this category.  Hawk Nelson doesn’t make music that is designed for worship.  They play music from a biblical standpoint, pointing out spiritual truths, or looking at life through the lens of their faith.  Much of literature (novels, poetry, stories, etc.) could fall in here.  Thomas Kinkade paints a beautiful picture, but he doesn’t paint (I don’t think) to reach out.  He paints because that is how he expresses beauty.  And that beauty, in some way, reflects the beauty of God.  When we see that, we thank God for beauty, and that glorifies Him.

This is most certainly an incomplete list.  And many of the examples could fit into more than one category.  Think of the Psalms.  Most of them could fit into the first and third categories easily.

The point is this: each category has a place in the realm of art from the Church.  Just because your music isn’t sung on Sunday mornings doesn’t mean it isn’t Church music!  Isn’t it wonderful that we have so many ways to glorify God?

So go, create!

Read Part I

Posted via web from On Life, Stories, and Music

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